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THE SACRED IN THE FILMS OF ANDREI TARKOVSKY. THE ARCHETYPE OF THE HOUSE
The study defines the archetypal meaning of the house (in the classical and the Jungian sense), as an architectural object with aesthetic, psychological and narrative functions, in the scenographies of Andrei Tarkovsky, and oversees the functioning mode and the semantic enrichment of this archetype in the economy of the films. These functions of the house are put in relation with the narrative functions of the main characters, in order to reveal the fundamental role of the house as a temple or a space consecrated to the meeting and communicating between man and God.
Keywords: archetype; sacred space; dome-shaped space; space open to infinity; thaboric space; house of the soul
References:
Ciment, Schnitzer 1969 – Ciment M., Schnitzer L. & J. L’artiste dans l’ancienne Russie et dans I’URSS nouvelle. Entretien avec A. Tarkovsky. Positif. 1969. Oct. (№ 109). Pp. 1–13.
Frobenius 1985 – Frobenius L. Paideuma. Schita a unei filozofii a culturii. Bucuresti, Editura Meridiane, 1985.
Jung 1994 – Jung C.G. In lumea arhetipurilor. Bucuresti, Editura Jurnalul literar, 1994.
Peters 1993 – Peters F.E. Termenii filozofiei grecesti. Bucuresti, Editura Humanitas, 1993.
Surkova 1991 – Surkova O.E. Book of comparisons. Tarkovsky’79. Moscow, 1991. In Russian.
Tarkovski 1989 – Tarkovski A. Le temps scelle. De “L’ Enfance d'Ivan” au “Sacrifice”. Paris, Editions de l'Etoile, Cahiers du Cinema, 1989.
Zolotussky 1989 – Zolotussky I. Preface to the “Word of the Apocalypse” by Andrei Tarkovsky. Iskusstvo kino [Art of cinema]. 1989. 2. In Russian.
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Issue: 2, 2014
Series of issue: Issue 2
Rubric: ARTICLES
Pages: 88 — 100
Downloads: 470