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PRINCIPLE OF CONSTRUCTION CINEMATIC NOVELLA IN THE POLISH CINEMA OF “NEW WAVE”
This article discusses some aspects of constructing the cinema novel in Polish cinematography at the period of its formation, that is the late 1950s and the early 1960s. The main task is to show the specificity of cinema novel from the different points of view, as from the author and from the character, taking into account the fact that the form of cinema novel has been transforming, modifying its internal principles. The author detects the specificity of the character’s image, that exists as an independent unit, however, is reflected in the other characters. It is proved that this way to showing film material is necessary for reveal diversity and ambiguity of seemingly the same situations and phenomena.
Keywords: new film reality, cinematography of life, prevailing theme, semantic nuance
References:
Eliseeva 2007 – Eliseeva T. N. Polish film directors. Moscow, 2007. In Russian.
Markulyan 1967 – Markulyan Ya. Cinema of Poland. Leningrad, Moscow, 1967. In Russian.
Rubanova 1966 – Rubanova I. Polish cinema: films about war and occupation. Moscow, 1966. In Russian.
Tamarchenko 2004 – Theory of Literature. Ed. by N. D. Tamarchenko. Vol. 1. Moscow, 2004. In Russian.
Chernenko 2005 a – Chernenko M. Kazimierz Kutz. Papers of film studies. 2005. 71. P. 66–110. In Russian.
Chernenko 2005 b – Chernenko M. Kazimierz Kutz (continuation). Papers of film studies. 2005. 72. P. 313–351. In Russian.
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Rakhaeva 2007 – Рахаева О. Rakhaeva O. Krzysztof Zanussi: Between Ideality and Reality. Papers of film studies. 2007. 81. P. 218–252. In Russian.
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Issue: 2, 2016
Series of issue: Issue 2
Rubric: ARTICLES
Pages: 24 — 36
Downloads: 550