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STREET ART IN SIBERIA CITIES
DOI: 10.23951/2312-7899-2018-3-88-100
In article author investigates street art in some of Siberia cities as a ethically motivated visual integrations into common space. From historical point of view the author presents beginning of this phenomena in world specially in Russia. Signatures, graffiti, street art are seen as a manifestation of values parted in three categories: individual, involved, patterns recognized global. Street art in Siberia cities want to change social, political and what most important aksio-semiotic shape of city space. Article is way to propose research about Street Art and paintings on the walls as a visual texts on example of Siberian cities. How this visual phenomena’s exist in the city space in the East part of Russia. How do they relate to the city space? Do they reproduce the urban space? Do they visually build an image of urban space or create the illusion of a uniqueness of place? Where are they created and for what reasons? Street art can be individual experience, involved activity, political and social, global and local. Graffiti can be seen as a memorials or form to communicate function of place even hidden problems of society; as manifestation of values and form of interaction through symbols (the way they present themselves and possible interpretation); as the fight for values and beliefs (about the world) in Siberia urban space. For author cities like Tomsk, Novosibirsk, Kemerovo, Novokuznetsk, Irkutsk, Gorno-Altaisk can be seen through street art as a desire of citizens for egalitarian changes: the accessibility of art, the aesthetization of buildings, political discourse, creating values / identities based on the place of residence. The key to their study is the way in which values are presented in them, the social and economic context of their occurrence, the political form of struggle by them, local activism and the construction / expression of a neighborhood identity. Street art is not only thinking about aesthetization of the Siberian cities space is also increasingly becoming an expression and a way to realize values or way to organize public space by common people.
Keywords: axio-semiotic, street art, urban space, Siberia, culture
References:
Bushnell 1990 – Bushnell J. Moscow Graffiti: Language and Subculture. Boston, 1990.
Sławek-Czochra 2013 – Sławek-Czochra M. Graffiti jako forma twórczości i przejaw tożsamości. Lublin, 2013.
Zimberg 2012 – Zimberg Alexis M. The spray can is mightier than the sword: street art as a medium for political discourse in the post-soviet region. Washington, DC, 2012.
( 1.37 MB ) 
( 1.37 MB )
Issue: 3, 2018
Series of issue: Issue 3
Rubric: ARTICLES
Pages: 88 — 100
Downloads: 267