Praxema TSPU
  • RU
  • EN
Today: 18.01.2021
Home Archive 2020 Year Issue №1 SOUND IMAGE “IN A LANDSCAPE”, IMMEDIATE AND IMMERSIVE
  • Home
  • Archive
    • 2020 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2019 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2018 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2017 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2016 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2015 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2014 Year
      • Issue №1
      • Issue №2
  • Rating
  • Search
  • About Publisher
  • News
  • Editorial Board
  • Editorial Council
  • Regular journal reviewers
  • Information for Authors
  • Peer-reviewing procedure
  • Editor’s Publisher Ethics
  • Contacts
  • Place article
  • Subscribe
  • Service Entrance

Journal TSPU

vestnik.tspu.edu.ru
praxema.tspu.edu.ru
ling.tspu.edu.ru
npo.tspu.edu.ru

Яндекс.Метрика

Praxema Our partners

Journal on the history of ancient pedagogical culture
Search by Author
- Not selected -
  • - Not selected -

SOUND IMAGE “IN A LANDSCAPE”, IMMEDIATE AND IMMERSIVE

Sosna N. N.

DOI: 10.23951/2312-7899-2020-1-47-57

Information About Author:

Nina N. Sosna, Russian Academy of Science, Institute of Philosophy, Moscow, Russia. E-mail: phljrnl@yandex.ru

The article aims to investigate if there are possibilities to put questions of image beyond the field of the visual. Considering the sonic matter as a complementary source of images, the author demonstrates, on the one hand, the dependence of sound studies on visual studies. It can be seen in methodology that uses a pair of terms ‘hearing / listening’, ‘audible / unaudible’ similar to ‘look / regard’, ‘visible / invisible’, as well as in expansion of the subject field by including examples of dealing with sound beyond the frame of classical music theory. On the other hand, ecologically charged sound studies developing out of communication with visual studies, that equate a human listener with any object standing in the way of sound waves, diminish the possibility to speak about image. These studies emphasize the main characteristics of the impact of the sonic – immersion and immediacy, but at the same time accentuate the absence of tensions and specific constellations, the result of which could be an image. Contrary to the latter, Hunter Noack’s actions exemplify by means of a “natural” artistic gesture the opening of different sense perceptions one to the other in their generative functions to flash images.

Keywords: image, sound image, sound studies, ecology, noise, immersion, constellation, music.

References:

Belting, H. (1991) Bild und Kult. Eine Geschichte des Bildes vor dem Zeitalter der Kunst. München.

Chion, M. (1990) L’audio-vision. Son et image au cinpma. Paris.

Hoerl, E. (2007) General ecology. The new ecological paradigm. London, Oxford, New York.

Lista, M. (2006) L’OEuvre d’art totale à la naissance des avantgardes, 1908–1914. Paris.

Martynov, V.I. (2005) Opus Posth Zone, or Birth of a New Reality. Moscow. (In Russian).

Mondzain, M.-J.(2010) What Does Seeing an Image Mean? Journal of Visual Culture. 9. pp. 307–315.

Nancy, J.-L.(2001) Les Muses. Paris.

Nancy, J.-L.(2003) Au fond des images. Paris.

Oliveros, P. (2010) Sounding the Margins: Collected Writings 1992–2009. Kingston, New York.

Rogozinski, J.(2006) Le moi et la chair. Introduction à l’egoanalyse. Paris.

Schafer, R.M. (1977) The Tuning of the World. The Soundscape. New York.

Thompson, M. (2017) Beyond Unwanted Sound. Noise, Affect, and Aesthetic Moralism. New York, London.

Voegelin, S. (2010) Listening to Noise and Silence: Towards a Philosophy of Sound Art. New York.

Voegelin, S. (2014) Sonic Possible Worlds: Hearing the Continuum of Sound.

sosna_n._n._47_57_1_23_2020.pdf ( 341.54 kB ) sosna_n._n._47_57_1_23_2020.zip ( 336.45 kB )

Issue: 1, 2020

Series of issue: Issue 1

Rubric: ARTICLES

Pages: 47 — 57

Downloads: 182

© 2021 ΠΡΑΞΗMΑ. Journal of Visual Semiotics

Development and support: Network Project Laboratory TSPU