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| 1 | Theses of the report prepared in 1975 below are published. The author of this report focuses on the eidetic (meaning-conformable) characteristics of visual programs and design-objects that are created during the implementation of these programs. To achieve this goal, the author examines the programs and visualization objects on the background of eidetic space, which the author found in mode of life. In addition to these theoretical issues, the author considered and those problems which relate to the method of constructing visual programs for creating design-objects – taking into account the proposed interpretation of visual installation. Keywords: design, visual object, visual installation, eidetic space, project activities | 1170 | ||||
| 2 | JERUSALEM’S ANATOPY // ΠΡΑΞΗMΑ. Journal of Visual Semiotics. 2015. Issue 2 (4). P. 126-131 The article discusses the ways of visual transfer of Jerusalem and the Holy Land cultural realities on the Russian Christian culture. The specificity of this culture maximally expressed in the temple action. The relationship of the liturgical time with a real topography of the Holy Land as the place of the events described in the Gospel is investigated in this article. It demonstrates the meaning of the liturgical action as a pilgrimage to the holy places of Jerusalem and the surrounding area. The meaning is expressed in the semantic connection of historical events, its Palestinian localization and the liturgical “reproduction”. A temple area’s Palestinian “marking”, which is complemented by the iconic (sacral-visual) line is noted. When the liturgical tradition based on the Palestinian topic is transfered, reverse movement arises, i.e. the liturgically fixed topical markers are spread on space surrounding a temple. In consideration of the typological affinity name and image, the author draws attention to the iconic images as anagrams. He offers to define visual spatial complexes presented in such images-anagrams as “anatopy”. This images involve all semiotic features of anagrams, which indirectly marks a historical reality and its eschatological sense. Keywords: temple space, iconic image, anatopy | 1056 | ||||