THEMATIC ACCENTS AND SEMIOTIC CONTEXTS IN MODERN ITALIAN CINEMA
DOI: 10.23951/2312-7899-2017-2-109-124
In this article the current situation and future possibilities of a modern Italian cinema are considered. In the term of “modern” we understand the relatively short period from 90th of the XX century till present days. Chronological coordinates are fixed, and we can talk about tendencies of revival of the Italian cinema as an art and as a communicative system which has its own canon and lexicon. The semiotic polyphony of visual imprints of events, persons, objects, and words can be profaned and facilitated taking into account the modern “mass consumer”. Therefore, we are talking about cinema in terms of loss, cheapness of the plan. We think that today we have a case of cinema directors successful works in which semiotics saturation of a cinema language allows speak about them in a high art category. The accent is emphasized on actual thematic preferences of a modern Italian cinema in this article. In each theme we illustrate almost each example of the last decade of the XX century and the beginning of XXI century. In our opinion, now the cinema directors tries to come into contact with the audience, counting on cultural unity with public, mutual knowledge of cultural codes, language of metaphors, symbols, and hints. Considering the major thematic directions of a modern Italian cinema, we can talk about two general tendencies, quite characteristic in general for the world cinematographic. First, it’s an attempt to save all considerable and talented issues that was already accumulated. Secondly, it’s an attempt to show that there are themes that request new approaches and a great courage from the art directors.
Keywords: semiotics of cinema, cultural contexts, Italian cinema, history of cinema, language of cinema, Christian Metz, Yury Lotman
References:
Grebenkina 2012 – Grebenkina I. V. Italian Policy on Illegal Migration after «Arab Spring»: Lessons for Russia. Vestnik MGIMO-University. 2012. 1. P. 68–74. In Russian.
Korchunov 2015 – Korchunov Vs. Young Italian cinema. At the turn of the century. Contemporary European cinema. Creativity, production, distribution. Moscow, 2015. P. 81–130. In Russian.
Krivileva 2012 – Krivileva O. G. Multiculturalism in European Cinema: Natural Process or Political Assignment? The Bulletin of Irkutsk State University. Series «Political Science and Religion Studies». 2012. 1 (8). P. 137–144. In Russian.
Kudryavtsev 1994 – Kudryavtsev S. “Little Buddha”. Aesthetic historical drama. 1994. URL: https://www.kinopoisk.ru/review/885023/. In Russian.
Kudryavtsev 2008 – Kudryavtsev S. “Buongiorno, notte”. Political drama. 2008. URL: https://www.kinopoisk.ru/review/864180/. In Russian.
Leirens 1954 – Leirens J. Le Cinéma et le Temps. Paris, 1954.
Linzbach 1916 – Linzbach J. Principles of the philosophical language: The experience of exact linguistics. Petrograd, 1916. In Russian.
Lotman 1973 – Lotman Yu. M. Semiotics of cinema and problems of cinema aesthetics. Tallinn, 1973. In Russian.
Metz 1974 – Metz Ch. Film Language: A Semiotics of the Cinema. New York, 1974.
Orlova, Shalagina 2014 a – Orlova N. Kh., Shalagina E. A. Mosaic of male characters in Italian cinema. STUDIA CULTURAE. 2014. 20. P. 163–175. In Russian.
Orlova, Shalagina 2014 b – Orlova N. Kh., Shalagina E. A. Family portrait in the interior of Italian cinema. Vestnik of Pushkin Leningrad State University. 2014. Vol. 2. 2. P. 105–114. In Russian.
Orlova, Shalagina 2015 – Orlova N. Kh., Shalagina E. A. Portrait of womens: reflections about the Italian cinema. ΠΡΑΞΗΜΑ. Journal of Visual Semiotics. 2015. 2 (4). P. 82–93. In Russian.
Palaeva 2015 – Palaeva R. I. Philosophical and psychological definition of the phenomenon of infantilism. Fundamental research. 2015. 2–7. P. 1527–1531. URL: https://fundamental-research.ru/pdf/2015/2-7/37187.pdf. In Russian.
Plakhova 2008 – Plakhova E. Political Installation. Art of cinema. 2008. 7. URL: http://kinoart.ru/archive/2008/07/n7-article6. In Russian.
Rutkevich 2013 – Rutkevich E. D. Religious exclusiveness of Italy: sociological perspective. Theory and practice of social development. 2013. 4. URL: http://teoria-practica.ru/rus/files/arhiv_zhurnala/2013/4/sociologiya/rutkevich.pdf. In Russian.
Savelieva 2014 – Savelieva E. N. European film of the twentieth century: ways of promoting national and cultural identity. Tomsk State University Journal. 2014. 386. P. 94–98. In Russian.
( 1.89 MB ) 
( 1.87 MB )
Issue: 2, 2017
Series of issue: Issue 2
Rubric: ARTICLES
Pages: 109 — 124
Downloads: 1266