DOSTOEVSKY IN FRENCH CINEMA: THE BEGINNING OF THE TRADITION
DOI: 10.23951/2312-7899-2017-4-90-104
The article analyses the formation of the screen version of Dostoevsky works in the French cinema tradition. The chronological framework of the presented illustrations is outlined by two events in the history of French cinema. First – the early 30th of the XX century when the first adaptation “Crime and Punishment” by Fedor Otsep came out. Second – the late 60th when Robert Bresson offered his own reading and understanding of the Russian writer. It is shown that approaches to understanding Dostoevsky’s philosophy in cinematography are developed in the context of the overall history of the “relationship” of French visual arts with the Russian writer’s work. The play of “Crime and Punishment” presented at the end of the XIX century on the “Odeon” theatre is accepted here as a reference point. The problem of screen adaptation of Dostoevsky’s works is connected in this article with the polemics of film critics about the possibilities and prospects of translating literary classics into the language of cinema.
Keywords: semiotics of cinema, Dostoevsky, French cinema, French theatre, literature and cinema, film adaptation of literature
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Issue: 4, 2017
Series of issue: Issue 4
Rubric: ARTICLES
Pages: 90 — 104
Downloads: 1457